The Dragon’s Gift: The Sacred Arts of Bhutan
A Conversation with Curator Emeritus Terese Bartholomew
Sunday, March 15
11:00 am, Lecture
12:15 pm, Bhutan exhibition tour
Samsung Hall, Asian Art Museum
200 Larkin Street, San Francisco
Free with museum admission
Space is limited and reservations are required
For reservations call 650.624.8888 or email email@example.com
Co-sponsored with the Asian Art Museum of San Francisco
Providing a glimpse at the more than eight years of research, negotiation and preparation, curator emeritus Terese Bartholomew introduces the enigmatic kingdom of Bhutan and the objects on view in The Dragon’s Gift: the Sacred Arts of Bhutan.
The Dragon’s Gift is an unprecedented exhibition exploring the remote and mystical Himalayan kingdom of Bhutan. On public display for the first time are sacred objects such as thangka paintings, sculptures and textiles, many of which are actively used in rituals and religious ceremonies. Making this exhibition unique, most of the pieces on display are from working temples and serve as consecrated objects of worship. Two monks from Bhutan accompany the exhibition, performing daily rituals and prayers, a required tradition for many of the sacred objects on display.
Humanities West presents
India Rising: Tradition Meets Modernity
February 27-28, 2009
Herbst Theatre, San Francisco
India’s artists, in pace with their country’s rapid modernization, have adopted many contemporary techniques. Yet past traditions remain strong. Familiar themes and modern modes of expression interplay with fruitful creative tension. Abstract and surrealist artists incorporate images of legendary gods and heroes in their work, and musicians create exciting new sounds in collaboration with Western jazz and classical performers. Literature and cinema with rural village scenes compete with others featuring urban landscapes, Indian-American cultural fusion, and the seductive joys of Bollywood. The result: unique new delights for the eye, the ear, and the spirit.
In Partnership with the Center for South Asia Studies, University of California Berkeley and the Music Department, University of California Santa Cruz.
SACHI is a Cooperating Partner with Humanities West
A Conference at University of California, Berkeley
Recovering Afghanistan’s Past
Friday, November 14 and Saturday, November 15, 2008
9am – 5pm
Chevron Auditorium, International House, University of California, Berkeley
For detailed conference schedule, please visit http://ieas.berkeley.edu/events/2008.11.14w.html
Free admission to the talks on the Berkeley campus
This conference will focus on Afghanistan’s cultural heritage in its past and present contexts and bring together scholars from various disciplines to address, among others, the following issues: the recovered objects from the National Museum; recent research and preservation/renovation projects; challenges of cultural heritage protection; the complexities of “targeted” heritage; cultural heritage and nationalism; and cultural heritage and globalization.
The conference has been organized in conjunction with the Afghanistan: Hidden Treasures exhibition which is on display at the Asian Art Museum October 24, 2008 through January 25, 2009.
Center for Buddhist Studies (CBS), Al-Falah Program for Islamic Studies (CMES), Townsend Center for the Humanities, Center for South Asia Studies (CSAS), Institute of Slavic, East European, and Eurasian Studies (ISEEES), History of Art Department, Society for Asian Art, Association for the Protection of Afghan Archaeology (APAA), California State University-East Bay, Consulate General of France, Society for Art and Cultural Heritage of India (SACHI), and International House.
Society for Art and Cultural Heritage of India (SACHI)
Annual Meeting and Lecture in Honor of Peg Haldeman
Co-sponsored by the Asian Art Museum of San Francisco
Early Wall Paintings at Bundi by Dr. Milo C. Beach
Sunday, October 19, 2008, 2:30pm
Samsung Hall, Asian Art Museum
200 Larkin Street, San Francisco
Free with museum admission
The most important early wall-paintings in Rajasthan can be found in the Badal Mahal in Bundi Fort, the greatest painted space in Rajasthan. Carefully conceived as a program of related images, and accompanied by an important group of paintings on paper, they also help to illuminate the development of painting at neighboring Kota.
Distinguished guest lecturer Dr. Milo C. Beach is former director of the Freer and Sackler Galleries, Smithsonian Institution. He is a renowned scholar of South Asian painting and author of numerous books and articles, including most recently The Silk Road and Beyond: Travel, Trade, and Transformation (Art Institute of Chicago, 2007) and Rajasthani Painters: Bagta and Chokha, Master Artists at Devgarh (University of Washington Press, 2005).
ACHI, the Society for Art & Cultural Heritage of India,
RANA, Rajasthan Association of North America,
Stanford University’s Abbasi Program in Islamic Studies
and the Center for South Asia, jointly present
Rupayan: Spectacular Folk Music Ensemble from Rajasthan
in collaboration with Kalapriya
Saturday, October 11, 2008, 6:30 pm
Campbell Recital Hall
Braun Music Center
541 Lausen Mall
Free Admission, Limited Seating.
RSVP 650.353.7846 or email firstname.lastname@example.org
Please note: New RSVPs will be waitlisted only
The Thar Desert region of Rajasthan has nurtured one of the most vibrant and evocative music cultures of the world. Rupayan is on tour with eight performers from the Langa and Manganiar communities of hereditary professional musicians, initially organized by the late ethnomusicologist and folklorist Komal Kothari of Jodhpur. They have performed in more than 200 venues in thirty countries.
The Langas and Manganiars are Muslim musicians who have traditionally performed for both Hindu and Muslim patrons. Many of their songs are in praise of Hindu deities and celebrate Hindu festivals such as Diwali and Holi. They also sing the poetry of South Asia’s great Sufi poets.
The performance will be accompanied by narratives, and includes translations of selected song texts and a lively Q & A with the artists.
Directions: From Hwy. 101 take University Ave. exit to downtown Palo Alto. University Ave. becomes Palm Drive as you enter the Stanford campus. Turn left on Campus Drive. Turn right on Mayfield Ave. and right into Tressider parking lot. Campbell Recital Hall in the Braun Music Center is located across from Tressider Union.
ACHI, The Society for Art & Cultural Heritage of India
and Yerba Buena Center for the Arts
present DIVIDED WE FALL: Americans in the Aftermath
A powerful feature-length documentary film in the aftermath of 9/11
Driven to action by the murder of a turbaned man in her community, a college student drives across America in the aftermath of 9/11 to discover stories that did not make the evening news. From the still-shocked streets of Ground Zero to the desert towns of the American West, Valarie Kaur’s inspiring journey uncovers remarkable stories of hate, violence, fear, and unspeakable loss–until she finds the heart of America halfway around the world, in the words of Balbir Sodhi’s widow. Five years in the making, Divided We Fall deftly explores race, religion, and identity in times of national crisis.
Filmmaker Valarie Kaur & Director Sharat Raju will be present for Q&A
Moderator, Professor Linda Hess, Co-Director,
Center for South Asia, Stanford University
Open to the public
12:30 pm: Lunch catered by Samovar Tea Lounge
2:00 pm: Film screening
Saturday, June 28, 2008
Yerba Buena Center for the Arts Screening Room
located on the Terrace Level of the Galleries
and Forum Building at 701 Mission @ 3rd
San Francisco, CA 94103
Watch film clips and reviews at www.dwf-film.com
Divine Visions Worldly Lovers
Mills College Art Museum
June 18−August 3, 2008
Opening Reception: Wednesday, June 18, 5:30-7:30 p.m.
Please join a special SACHI tea reception, 2.00-3.00 p.m.
Curator’s Walk-through and Lecture: Saturday, June 21, 3:00 p.m.
presented by Mills College Art Museum and SACHI
Mills College Art Museum
5000 MacArthur Blvd.
Oakland, Ca. 94613
Divine Visions Worldly Lovers
Indian Paintings from the Collection of Barbara Janeff
Curated by Robert J. Del Bontà
The diverse deities of South Asia are major themes in Indian painting but romantic love also plays a large role in the intensely-colored, and often small-scale, works. Both of these themes can be seen repeated often in the Janeff collection of Indian paintings. This Bay-Area collection, which includes work from the fifteenth to the twentieth century, highlights many styles and trends found in Indian art. Indian artists constantly played with various painting approaches— conflicting ones such as realism and abstraction—and often within a single work.
Perhaps confusing at first, upon closer inspection this layering of artistic conventions can be subtle and sophisticated. With the advent of the Mughal style, associated with a Muslim dynasty founded in the sixteenth century and ultimately ruling most of North India, European realism was introduced, particularly in the portrait tradition. The accomplished academic style developed in Mughal ateliers combined Indian and Persian styles with Western realism.
A full-color illustrated catalogue accompanies the exhibition.
SACHI and the Center for South Asia Studies, UC Berkeley proudly present: William Dalrymple discussing his latest book
The Last Mughal: The Fall of a Dynasty, Delhi 1857
When: Wednesday, April 2 at 6.00 pm
Where: Morrison Room, 101 Doe Library
Talk followed by book signing
Co-sponsored by South & Southeast Asian Studies, Center for Middle East Studies and Center for British Studies
SACHI, The Society for Art and Cultural Heritage of India, and CIF, Cultural Integration Fellowship, invite you to
Monarchs in Indian Art
An Illustrated Talk
by Dr. Gautama Vajracharya
The mainstream Indian art is almost devoid of any representation depicting a monarch engaged either in a battle or in a hunting expedition. Such a non-violence approach of the artistic tradition differs drastically from the literary heritage of the country. Sanskrit literature, for instance, is full of detailed descriptions of the ruthless slaughter of an enemy in a battle and the bravery of a warrior king in killing the beasts of game. What is the reason for
such difference? A new investigation on this subject is the main focus of Dr. Vajracharya’s talk.
Sunday, March 2, 2008, 2:00 pm
Cultural Integration Fellowship
2650 Fulton Street at 3rd Avenue
San Francisco, CA 94118
Dr. Gautama Vajracharya is a Sanskrit scholar with a keen interest in South Asian art. He teaches Indian civilization and art history at the University of Wisconsin, Madison. His most recent publication is the Watson Collection of Indian Miniatures at the Elvejehm Museum of Art. He is also the author of
Everlasting Flower of Buddhist Art.
Shakespeare in Asia, a celebration!
An Evening with Ismail Merchant
Producer and director Ismail Merchant of Merchant Ivory Productions addressed his life and work.
Stanford Shakespeare Institute, Stanford Film Society and SACHI
The Secrets of Satyajit Ray’s Art
Professor Dilip Basu spoke about Satyajit Ray and his films, followed by screenings of Ray’s Inner Eye, a documentary
of Ray’s teacher in Shantiniketan, Binode Nehary Mukherjee, and Ray’s little-known Parable of Two, a Bay Area Premiere.
SACHI and the Cultural Integration Fellowship Music/Dance
Kabir in Song: Musical Traditions of a Great Religious Poet of India
Featuring folk singer of Malwa and classical singer of Varanasi
Asian Religions & Cultures Initiative, Stanford University, SACHI and others Dance as a Living Language and The Essence of Indian Dance
Mallika Sarabhai, acclaimed star of Peter Brooks’ stage production and film, The Mahabharata, and Daksha Mashruwala,
distinguished classical dancer
SACHI and the Asian Art Museum of San Francisco Classical Arts
Milo Beach, then director of Freer/Sackler Galleries, Smithsonian Institution and curator of the exhibition, King of the World;
Padshahnama, a Mughal Manuscript from the Royal Library, Windsor Castle
SACHI, Palo Alto Art Center, and the Stanford Art Museum The Wonder that was Khajuraho
Khajuraho scholar Devangana Desai
SACHI and Mills College Art Department The Five Auspicious Events in the Life of a Jina: A Lecture on the Jain Arts and Culture of India
Saryu Doshi, honorary director, National Gallery of Modern Art, Mumbai
SACHI and the Asian Art Museum of San Francisco Desire & Devotion: Art from India, Nepal, and Tibet in the John and Berthe Ford Collection
A talk by Mr. And Mrs. Ford in conjunction with the exhibition
SACHI and the Cantor Arts Center
Sacred Images: The Tradition of Mithila Painting
A lecture by Malini Bakshi and David L. Szanton
SACHI and the the de Saisset Museum Auspicious Atmosphere: Indian Temple Facade & Ajanta Ceiling Paintings
A lecture by An Illustrated Talk by Dr. Gautama Vajracharya
SACHI The Treasury of the World: A Glimpse of Mughal Jeweled Splendor
A lecture by Meera Kumar
SACHI and the Asian Art Museum of San Francisco Architecture
An Architecture for India
“We build our buildings … and then our buildings build us.”
Charles Correa, a major figure in contemporary architecture worldwide
SACHI, Asian Art Museum, and the Palo Alto Art Center
Tall Tombs: Muharram Art in the Punjab
Tryna Lyons is an independent art historian with degrees from University of California, Berkeley and the American University of Paris.
SACHI adn the Asian Art Museum
Mughal Arts, Ideology and the Construction of Kingship by Dr. Catherine Asher
SACHI, Center for South Asia, the Cantor Arts Center, and the Interrogating Modernity Postcoloniality Research Workshop at Stanford University. Archaeology
The Origins and Decline of the Indus Valley Civilization
Jonathan Mark Kenoyer, leading scholar of Indus Valley Civilization and director of the
Harappa Archaeological Research Project (HARP)
SACHI and the Cantor Arts Center, Stanford University
Jewish Communities in Cochin & Mumbai: Caste and Racial Stratification Among God’s Chosen People
A lecture by Ken Blady
From Kashmir to Kabul: The Photographs of John Burke and William Baker, 1860-1900
Omar Khan, creator of award winning website, www.harappa.com, a gateway to South Asian history
SACHI and the Cantor Arts Center, Stanford University Contemporary Art
Introducing contemporary artists Zarina Hashmi, Atul Dodiya, Shahzia Sikander, and T. Vaikuntham to Bay Area audiences
SACHI in cooperation with Mills College Art Department, Asian Art Museum of San Francisco, and Arts India West gallery Museum Exhibitions
Impossible Picturesqueness: Textiles in Mewar Painting by Rahul Jain
SACHI and the Asian Art Museum.
From Mind, Heart, and Hand: Indian, Persian, and Turkish Drawings from the Stuart Cary Welch Collection
SACHI, TIE, ICC and Asian Art Museum members Mithila Painting: The Evolution of an Art Form
Exhibition traces development of a vibrant painting tradition from its ritual and folkloric roots to its unique cultural
expression and internationally recognized art form
Museum of Craft and Folk Art, SACHI and other participants Textile Exhibitions
The Narrative Thread: A Women’s Embroidery from Rural India, an exhibition, and related talk, Kanthas & Folk Art
SACHI instrumental in bringing to the Bay Area an exhibition of works in the sujni tradition of Bihar, hosting Nirmala Devi from
Bihar for demonstrating the craft tradition in conjunction with exhibition opening, and organizing children’s workshop on Kantha Art.
Palo Alto Art Center, SACHI and Maitri
Weaving Magic: The Story of the Kashmir Shawl
Lecture and weekend display by Aditi Desai, avid collector of shawls from India and Europe
SACHI and the Asian Art Museum Traditions in Transition: Rabari Textiles in the Cyber Age
Judy Frater, former curator, Textile Museum, Washington D.C., author of Threads of Identity, a seminal study of rabari embroidery,
and a friend and advocate of the semi nomadic rabari people, settled in villages near Bhuj. Celebrated Authors and Book Readings
White Mughals: Love and Betrayal in Eighteenth Century India
Author William Dalrymple introducing his latest novel
SACHI and Society for Asian Art Husband of a Fanatic
Author of Passport Photos and Bombay London New York, Amitava Kumar speaks about his new book SACHI and CIIS (California Institute of Integral Studies)
CSAS Public Film & Documentary Series
Center for South Asia Studies,
Gender & Women’s Studies
Beatrice Bain Research Group, and
Society for Art & Cultural Heritage of India (SACHI)
present: The Shape of Water
A documentary by Kum-Kum Bhavnani
Narrated by Susan Sarandon
Tuesday, February 19, 2008, 3.30 p.m.
370 Dwinelle Hall, UC Berkeley
Visit us on the web at ias.berkeley.edu/southasia
A story of five women in India, Brazil, Jerusalem and Senegal
who defy societal taboos to change their communities
Kum-Kum Bhavnani is a Professor of Sociology at UC Santa Barbara and a film-maker. Her first documentary, THE SHAPE OF WATER, premiered at the Santa Barbara International Film Festival in 2006, and has since toured internationally with screenings in Durban, New York, Los Angeles, Barcelona and Rome. Her film was supported by grants from UCSB, the LEF Foundation, the Ford Foundation as well as private donors.
Bhavnani grew up in England, and since age 18 she worked on anti-racist, international, feminist and trade union issues. She was an invited participant at the 2001 Durban World Conference against Racism.
Kum kum Bhavnani earned her Ph.D from Cambridge University (King’s College) in 1988 and published her first book, Talking Politics in 1991.
Screening followed by Q&A with Director