Looking Back! celebrates two decades of SACHI’s excellence in visionary and educational programs promoting the understanding and appreciation of Indian art and culture in the San Francisco Bay Area. Through the month long exhibition (Feb 1- Feb 28, 2018) of Poster announcements, SACHI is honored to showcase a sampling of its more recent events.
In conjunction with the launch of the Poster Exhibition
and Livermore Reads Together Project
A Long Way Home: A Memoir by Saroo Brierley
You are Invited to Join a Community Celebration
and a Maharaja presentation at the Livermore Public Library
Maharaja: The Splendor of India’s Royal Courts
SACHI extends grateful appreciation to the Livermore Public Library and Jadeja Family Foundation for program support.
SACHI, Society for Art & Cultural Heritage of India, Asian Art Museum of San Francisco, and The Asia Foundation
are very honored to present
Dr. B.N. Goswamy
Distinguished art historian and Professor Emeritus, Punjab University, Chandigarh
In an Illustrated Lecture Presentation
The Unbearable Lightness Of Drawing : Tracing the Life and Work of the Great 18th Century Painter, Nainsukh
Internationally renowned and distinguished scholar Dr. B.N. Goswamy will lead an insightful journey into the realm of the Indian painter Nainsukh. In his pathbreaking work, Nainsukh of Guler: A Great Indian Painter from a Small Hill State, Professor Goswamy writes, “To trace the life and career of a painter (of the past) in India is somewhat akin to following the course of an earthen lamp oating on swift waters.” One can sight the glow for a while, but soon uncharted vastness takes over.
In his lecture Professor Goswamy will share with the listener how he embarked upon the hard but rewarding task of identifying and picking up a faint whisper from the silences of the virtually anonymous past, and then piecing together something of the life of this great painter. In discussing his research, Professor Goswamy will draw attention to the entire ascribable oeuvre of Nainsukh – close to a hundred paintings, painted sketches, and drawings – and focus on a selection from it.
The Event is Free after Museum Admission and Open to the Public RSVP recommended: email@example.com; Tel. 650-918-6335
Please join us for a reception in the Loggia adjoining Samsung Hall immediately following the lecture.
The SACHI Annual Meeting will be held at 1:15 PM in Samsung Hall preceding the lecture presentation.
Image Credit: Mian Mukund Dev of Jasrota, c. 1740-45, by Nainsukh of Guler, Himachal Pradesh, opaque watercolor on paper, Victoria & Albert Museum, London
SACHI Society for Art & Cultural Heritage of India is pleased to Invite you to an Illuminating Discussion with
Visiting Scholar Dr. Jaroslav Poncar Professsor Emeritus of Technical University, Cologne
A Journey from Czechoslovakia to the Buddhist Himalayas 40 Years of Exploring Himalayan Monasteries: A Photographic Documentation of Murals and Wall Paintings in Alchi, Tabo, and West Tibet
Dr. Jaroslav Poncar looks back upon nearly four decades of photographically documenting Buddhist monuments in the Himalayan region—notably Alchi in Ladakh, Tabo in Spiti, Tholing in West Tibet, and his more recent work in Mustang, Nepal.
In this talk Dr. Poncar will reflect on his rich oeuvre, discuss the challenges of photographing particular sites and the technical solutions adopted, and ways in which digital photography has impacted his work.
Jaroslav Poncar was born in Prague in 1945, has lived in Cologne since 1973 where he was professor at the department of imaging sciences of Technical University Cologne. His photographic projects took him to Africa, Arabia and mainly to South and Central Asia, especially to the West Himalayas, Tibet, India, Burma and Cambodia. Between 1996 and 2005 he was co-director of German Apsara Conservation Project at Angkor Wat. His responsibility was mainly photographic documentation of Angkor Wat. After his retirement in July 2010 he was in Afghanistan on one-year assignment by GIZ-CIM (German International Cooperation) to photographically document the cultural heritage of the country. Since 2015 he participates in the project of Christian Luczanits (SOAS, London) to document manuscripts and objects in the monasteries in Mustang (Nepal).
Free and Open to the Public
Image Credit: Avalokitesvara, Sumtsek at Alchi Chokhsor. Courtesy Jaroslav Poncar
SACHI extends grateful appreciation to Jadeja Family Foundation for generous program support.
SACHI, Society for Art & Cultural Heritage of India and Berkeley Art Museum invite you to Join a Guided Tour of the Special Exhibition on display
Divine Visions, Earthly Pleasures: Five Hundred Years of Indian Painting
(June 22 – September 10, 2017)
Led by Guest Curator and Noted Scholar of Indian Painting
Robert Del Bonta
A discounted admission fee of $7.00 per person will apply for the SACHI group payable at the Museum admission desk on the day of tour.
Please plan to arrive on time, as the tour will begin promptly as soon as the admission tickets are distributed. A no-host lunch with the Curator in walking vicinity of the Berkeley Art Museum will follow the tour.
To make your reservation, please email firstname.lastname@example.org; Tel. 650-349-1247
Limited space, first come, first served.
The Museum is located minutes from the Berkeley Bart station.
We look forward to having you!
Surajamala-ji, Son of Rao Nirandasa; India, Rajasthan, Kotah, c. 1820
Ink, gouache, and gold on paper. Gift of Jean and Francis Marshall 19184.108.40.206
SACHI, Society for Art & Cultural Heritage of India and Palo Alto Art Center are pleased to present
Indigo, Salt and Khadi: Textile Art as an Expression of National Identity
by Shelly Jyoti
Delhi based Artist, Designer, Poet, and Independent Curator
The Event is Free and Open to the Public. RSVP recommended, email@example.com; Tel. 650-349-1247
Shelly Jyoti is a visual artist, fashion designer, poet and an independent curator whose work references the cultural context of modern Indian history. She trained in fashion design and clothing technology at the National Institute of Fashion Technology, New Delhi. She has a keen interest in India’s material and socio-political history which has inspired her textile work over the past few decades. Working with different mediums, her works excavate history and celebrate the subaltern. She collaborates with ninth and tenth generation Ajrakh craftsmen living in Ajrakhpur, Bhuj, Gujarat who migrated from Sindh and Baluchistan in 1600 CE. Her recent exhibitions include The Khadi March: Just Five Meters (2016-17); Salt: The Great March (2013-15); Indigo: New works by Shelly Jyoti & Laura Kina (2008- 2014); Beyond Mithila: Exploring the Decorative (2008); Lyrical Abstraction: A Room of/for Muses (2007).
Ajrakh is a unique process of block printing found in India’s earliest settlements. It is still practiced in northwest India and Pakistan, particularly in the city of Bhuj, where Jyoti travels to create her work. One of the key dyes used in this technique, indigo, led to an extended series of work exploring the indigo trade. Using traditional natural pigment dyes and printing blocks of both ornate and minimal geometric shapes and patterns, she skillfully combines individual components into a complex whole. Her deceptively simple designs provide a generous space for the luxuriously printed patterns to be fully appreciated. Jyoti will discuss select works from her 100 pieces of textile artworks grouped as ‘Assemblages’ from three bodies of works: Indigo Narratives (2009-17); Salt: The Great March (2013-15); and The Khadi March (2016-17).
SACHI gratefully acknowledges the support of Asha Jadeja and Jadeja Family Foundation.
Image Credit : Timeless Silhouettes: Angrakha 1, 33 x 50 Inches Ajrakh printing/dyeing/needle work on khadi fabric, 2014. Courtesy Shelly Jyoti
SACHI Invites You to Join a Special Monsoon Wedding Performance Night on June 10, 2017, 8 PM
Celebrating 20 years of dynamic SACHI Programs
Based on the international hit film by Mira Nair, the world premiere stage musical of Monsoon Wedding at Berkeley Rep is one of the most highly anticipated theatrical events of the season. Join us in celebration and support!
World Premiere Musical Monsoon Wedding, directed by Mira Nair
Pre-performance Reception with EXCLUSIVE MIRA NAIR APPEARANCE, 6 PM-7.30 PM, Terrace Lobby, Berkeley Rep Theater
Performance, 8 PM;
Do NOT miss this exclusive opportunity for an intimate encounter with Mira Nair and an evening of outstanding stage production! Enjoy delectable South Asian delights to complement the Monsoon Wedding theme. And Join us in festive attire with a South Asian flair!
Respond early to ensure space for an unforgettable SACHI night! Please view the attached details.
A SACHI Benefit supporting program excellence in the arts and culture of India
$225 per person, Orchestra VIP Seating ($115 Tax deductible)
$200 per person, Mezzanine VIP Seating ($100 Tax deductible)
Tickets can also be purchased online ; additional vendor fee applies.
Monsoon Wedding SACHI tickets entitle new members to a one-year complimentary SACHI membership
We look forward to celebrating with you!
Award-winning film director Mira Nair brings her exuberant and sumptuous Monsoon Wedding to Berkeley Rep’s stage in this highly anticipated world premiere musical. The perfect storm starts brewing when family members from around the world descend on Delhi for a nonstop four-day celebration of an arranged marriage between a modern upper-middle-class Indian family’s only daughter and an Indian-American gentleman she has never met. But unexpected surprises and dark family secrets surface. The forecast calls for drama, love, hope, laughs, and a whole lot of rain.
Book by Sabrina Dhawan
Music by Vishal Bhardwaj
Lyrics by Susan Birkenhead
SACHI, Society for Art & Cultural Heritage of India and Bay Area Book Festival
in partnership with the San Francisco Chronicle
Present a stimulating discussion “A Journey into the Life of Rumi “
Brad Gooch, New York based author of Rumi’s biography, Rumi’s Secret: The Life of the Sufi Poet of Love
In an Interview with writer
Michael David Lukas
At the Downtown Berkeley Festival “Where Readers Meet Writers”
For inquiries, contact firstname.lastname@example.org
Details and Tickets for the 2 day Book festival here.
SACHI extends grateful appreciation to Jadeja Family Foundation for generous program support.
SACHI and SOHARA showcase the elegance and diversity of the Indian Sari in association with the Textile Arts Council, San Francisco. Please Join a Celebration of Indian Textiles with renowned scholar, designer, and Sari revivalist,
Rta Kapur Chishti
in a Presentation and Sari demonstration workshop
Fees: $25 per person; RSVP: email@example.com
A Viewing of textiles and Conversation with the scholar follows at 2-4 p.m. in Los Altos at 13155 La Cresta Drive, Los Altos Hills.
To RSVP for both events, please email firstname.lastname@example.org
Saris: Tradition and Beyond by Rta Kapur Chishti
Worn by: Golla (shepherd community); Gudati Kapulu (agriculturist)
Area: Narasannapalle, Cuddapah district, Rayalseema region, South Andhra Pradesh
Length: 9 yd/ 8.26 m
SACHI, Society for Art & Cultural Heritage of India presents
Odissi Dance exponent from India in a Lecture Demonstration
Immersed in the rich culture of Odissi and its devotional roots since early childhood, Mr. Acharya has cultivated a deep and dynamic approach to the dance form. A celebrated virtuoso artist, he has performed as a soloist in many prestigious venues around the globe.
Dancer, choreographer, researcher, Sanskrit scholar, lecturer, and writer, Rahul Acharya was the 2014 recipient of the Aditya Vikram Birla Kalakiran Award. In 2013 he received the Ram Gopal Award for Best Male Solo Dancer from the Dance History Society of India. Mr. Acharya became the first male Odissi dancer honored by the Sangeet Natak Akademi with the Ustad Bismillah Khan Yuva Puraskar Award in 2009.
Rahul is part of UNESCO’s International Dance Council. His dance is inspired by his teacher, Guru Durga Charan Ranbir, and the late Guru Debaprasad Das. For more on Rahul, visit RahulAcharya.com.
Priority Seating $25.00; General Seating, $15.00; Students $15.00
RSVP: email@example.com; Tel. 650-918-6335
Tickets can be purchased online here or by contacting the above.
In association with SACHI, Society for Art & Cultural of India
Ambassador Venkatesan Ashok & Mrs. Usha Ashok Are Pleased to Invite You to an engaging Conversation on
Chai, The Making of the Indian “National Drink”
This illustrated talk details the promotion and spread of tea-drinking in 20th century India. Drawing on both archival and field research, it focuses on the mass popularization of “chai” through innovations in marketing and manufacturing, as well as changes in eating habits and social networks, and gives special emphasis to the role played by advertising and large and small-scale commerce in transmitting the “tea habit” to Indians, both before and after Independence in 1947.
Philip Lutgendorf is Professor of Hindi and Modern Indian Studies and has taught in the University of Iowa’s Department of Asian and Slavic Languages and Literatures since 1985. His book on the performance of the Hindi Ramayana, The Life of a Text (University of California Press, 1991) won the A. K. Coomaraswamy Prize of the Association for Asian Studies. He received a Guggenheim Fellowship in 2002-03 for his research on the popular Hindu “monkey-god” Hanuman, which appeared as Hanuman’s Tale, The Messages of a Divine Monkey (Oxford University Press, 2007). His interests include epic performance traditions, folklore and popular culture, and mass media. He maintains a website devoted to popular Hindi cinema, a.k.a. “Bollywood” (www.uiowa.edu/indiancinema/ ). He is presently translating the Ramcharitmanas of Tulsidas for the Murty Classical Library of India and Harvard University Press, and writing on the popularization of chai in 20th century India. He serves as President of the American Institute of Indian Studies (AIIS).
By Invitation only, LIMITED SEATING. Sorry SOLD OUT.